Movie Capsules: Now showing

Capsule descriptions and starred mini-reviews by The Commercial Appeal movie writer John Beifuss.

OPENING TODAY

Fighting (PG-13, 105 min.) Terrence Howard introduces Channing Tatum to the profitable world of organized bare-knuckle street-brawling.

Wolfchase Galleria Cinema 8, Majestic, Collierville Towne 16, DeSoto Cinema 16, Cordova Cinema, Paradiso, Hollywood 20 Cinema, CinePlanet 16.

Gomorrah (Not rated, 135 min.) This movie about modern crime families in Italy won the Grand Prize at the 2008 Cannes Film Festival. Look for John Beifuss' writeup at TheBloodshotEye.com.

Studio on the Square.

The Informers (R, 98 min.)

Studio on the Square.

Obsessed (PG-13, 109 min.) Beyoncé gets mad when white skank Ali Larter goes after her man, Idris Elba.

Stage Cinema, Majestic, Collierville Towne 16, DeSoto Cinema 16, Raleigh Springs Cinema, Cordova Cinema, Paradiso, Palace Cinema, Hollywood 20 Cinema, CinePlanet 16, Southaven Cinema, Summer Quartet Drive-In.

The Soloist (PG-13, 117 min.)

Forest Hill 8, Stage Cinema, Majestic, Collierville Towne 16, DeSoto Cinema 16, Studio on the Square, Cordova Cinema, Paradiso, Hollywood 20 Cinema, CinePlanet 16.

SPECIAL MOVIES

$5 Cover premieres.

Pardiso, Studio on the Square. Visit indiememphis.com.

Grand Canyon Adventure: River at Risk: The latest IMAX documentary follows two environmentalists on a daring rafting ride down the Colorado river. Narrated by Robert Redford; music by the Dave Matthews Band. Runs through Nov. 13. Tickets $8, $7.25 senior citizens, $6.25 children ages 3-12; children under 3 are free. Call for show times.

IMAX Theater at Memphis Pink Palace Museum, 3050 Central. Call 763-IMAX for general information or 320-6362 for reservations.

Mummies: Secrets of the Pharaohs: Follow researchers and explorers as they piece together archaeological and genetic clues of Egyptian mummies. The IMAX film plays through Nov. 13. Tickets: $8, $7.25 senior citizens, $6.25 children ages 3-12; children under 3 are free. Call for show times.

IMAX Theater at Memphis Pink Palace Museum, 3050 Central. Call 763-IMAX for general information or 320-6362 for reservations.

On Location: Memphis International Film Fest: Continues today through Sunday.

Ridgeway Four.

The Pervert's Guide to Cinema (Not rated, 150 min.) In this British documentary, Slovenian intellectual and cultural critic Slavoj Zizek leads viewers on a highly personal and eccentric psychoanalytic interrogation into the "hidden" meanings of films ranging "Alien" to "The Great Dictator" to "Blue Velvet." Directed by Sophie (sister of Ralph) Fiennes.

7 p.m. Thursday, Memphis Brooks Museum of Art. Admission: $7, or $5 for members. Visit brooksmuseum.org or call 544-6208.

NOW SHOWING

Bedtime Stories (PG, 95 min.) A lovable loser (Adam Sandler) discovers the wacky stories he makes up while babysitting his niece and nephew magically come true, so he begins incorporating such details as "the uncle gets a Ferrari"; the kids counter by adding, "and then he's kicked by a dwarf." This phony mix of inspirational family drama and pandering humor (one story involves a "booger monster") marks a big step backward for director Adam Shankman ("Hairspray").

Bartlett 10.

Confessions of a Shopaholic (PG, 105 min.) Isla Fisher is a New York journalist with a yen for shopping in this adaptation of Sophie Kinsella's best-seller.

Bartlett 10.

Crank: High Voltage (R, 85 min.) Jason Statham goes on the hunt for his heart after a Chinese mobster replaces it with a battery-powered ticker. Really.

Wolfchase Galleria Cinema 8, Majestic, Collierville Towne 16, DeSoto Cinema 16, Raleigh Springs Cinema, Cordova Cinema, Paradiso, Palace Cinema, Hollywood 20 Cinema, CinePlanet 16, Southaven Cinema, Summer Quartet Drive-In.

The Curious Case of Benjamin Button (PG-13, 167 min.) Like "Forrest Gump" (also scripted by Eric Roth), this is a novelistic, picaresque fantasy about a kind-hearted man-child whose adventures span the globe and the decades -- but in this case, the hero (Brad Pitt) is born old and doomed to age in reverse, toward infancy. Forrest Gump told us life's like a box of chocolates, but Benjamin Button forecasts the melted, shriveled and petrified futures of those candies; Benjamin tells us: "Nothing lasts." Cate Blanchett is wonderful as the love of Benjamin's life, a ballet dancer who mourns: "Every day I have more wrinkles, not fewer." A curious film, indeed, but also very moving; credit director David Fincher ("Zodiac") for finding the balance between shadow and light.

Bartlett 10.

Dragonball Evolution (PG, 86 min.) The Japanese manga turned anime becomes a live-action film.

Wolfchase Galleria Cinema 8, Majestic, Hollywood 20 Cinema, Southaven Cinema.

Duplicity (PG-13, 125 min.) Julia Roberts and Clive Owen are deceitful lovers and corporate spies in this clever but flat film from writer-director Tony Gilroy, who makes the mistake of applying the artful lighting, measured pace and severe sensibility of his fine "Michael Clayton" to screwball caper material. The convoluted, backtracking story becomes a bit of a slog, so that Gilroy's cynical message -- never trust anybody -- seems inevitable rather than surprising. The most entertaining characters are the rival CEO's played by Paul Giamatti and Tom Wilkinson; they deserve a movie of their own.

Forest Hill 8, Stage Cinema, Collierville Towne 16, Cordova Cinema.

Earth (G, 90 min.) Created by the team responsible for the acclaimed BBC series "Planet Earth" and distributed in the U.S. by Disney's new division for "green" documentaries, Disneynature, this moving and stunningly photographed film travels from pole to pole to look in on polar bears, elephants, humpback whales, birds of paradise and other species of arctic, forest, jungle, desert and ocean mammals and birds as they struggle to survive and raise their young over the course of a year on a planet that -- as narrator James Earl Jones reminds us -- is the only one in the vastness of space that "we know... can support life." It's hard to imagine a parent or child who won't experience a sense of awe and an appreciation for the Earth's diversity of life while watching this worthy heir to the Oscar-winning "True-Life Adventures" produced by Disney from 1948 to 1960.

Stage Cinema, Collierville Towne 16, DeSoto Cinema 16, Cordova Cinema, Paradiso, Hollywood 20 Cinema, CinePlanet 16.

Fast & Furious (PG-13, 107 min.) The definite articles are gone but the stars are back: Vin Diesel and Paul Walker reunite, eight years after "The Fast and the Furious."

Forest Hill 8, Stage Cinema, Majestic, Collierville Towne 16, DeSoto Cinema 16, Raleigh Springs Cinema, Cordova Cinema, Paradiso, Palace Cinema, Hollywood 20 Cinema, CinePlanet 16, Southaven Cinema, Summer Quartet Drive-In.

Gran Torino (R, 116 min.) With his voice the rasp of the handsaw that cut his cracked features from a stump of cedar and his pants as high as the front porch from which he surveys the supposed decline of "the old neighborhood," Clint Eastwood is a comic totem of American masculinity, stardom, intolerance and, ultimately, redemption in this old-fashioned piece of moviemaking about change we can believe in: the renewal of America's promise as a melting-pot land of opportunity. Eastwood (who also directed, with his customary no-nonsense artistry) plays Walt Kowalski, a racist Korean War veteran and retired Detroit auto worker who literally growls at the sight of the "swamp rat" Hmong immigrants who have moved in next door. But when his new neighbors are threatened by a Southeast Asian gang, he becomes not just a surrogate father to the teens but Dirty Harry with an AARP discount: "Get off my lawn," he snarls, pointing a rifle at a neighborhood gangbanger and transforming a cliched expression of codgerly irritation into a septuagenarian update of "Go ahead, make my day." The film is sometimes wincingly corny in its depiction of a "lovable" curmudgeon, but its bluntness and sincerity -- and the undistracted momentum of its storytelling -- are like splashes of cold water in a face gone slack from a surfeit of irony and sophistication.

Bartlett 10.

The Great Buck Howard (PG, 90 min.) Sleight of hand is among a magician's greatest assets, but even the most gullible rubes will be able to follow most of writer-director Sean McGinly's telegraphed moves in this entertaining but lightweight film, which tells us we all need a little magic in our lives -- a message that's about as surprising as seeing a stage conjurer pull a rabbit from a hat. The movie is worth seeing thanks to John Malkovich's performance as the title "mentalist,"a fading Amazing Kreskin-style performer who dreams of a comeback even as he plays to ever smaller crowds in the backwaters of show business. We see Buck through the eyes of his new assistant, played by Colin Hanks, who is no more than blandly likable; thank goodness, then, for the arrival of Emily Blunt as a tart publicist with some tricks of her own.

Ridgeway Four.

Hannah Montana: The Movie (G, 102 min.) Drawing from the traditions of Cinderella (the scullery maid who is really a princess) and Superman (the superbeing who pretends to be a "normal" man), the push-and-pull tension of the Miley Cyrus/Hannah Montana dichotomy provides the premise for this feature-length expansion of the hit TV show about a teen girl (Miley Cyrus) who enjoys the "Best of Both Worlds" through her secret life as a pop sensation. Deciding that his increasingly spoiled daughter needs a time-out for "Hannah detox," Miley's onscreen and real-life daddy, Billy Ray Cyrus, takes "the most popular teenager in the world" back to the family farm, where Miley regains her appreciation for Minnie Pearl collector's plates while also introducing the locals to a new "hip-hop" dance craze, "The Hoedown Throwdown."

Shot in Middle Tennessee, this hit musical diversion for training-bra initiates should do wonders for the Volunteer State's film industry, if not for its reputation for worldliness. Says Billy Ray, after a waiter places a lobster in front of him: "That's a heck of a crawdad, isn't it?"

Forest Hill 8, Stage Cinema, Majestic, Collierville Towne 16, DeSoto Cinema 16, Cordova Cinema, Paradiso, Hollywood 20 Cinema, CinePlanet 16.

The Haunting in Connecticut (PG-13, 92 min.) Never play hide-and-seek in a haunted house, unless you want to discover you're sharing your dumbwaiter hidey-hole with a ghostly charred corpse. That's what happens to one of the unfortunate kids in director Peter Cornwell's lukewarm chiller, perfectly timed for the current housing crisis. Virginia Madsen stars as a mother-I'd-like- to-(haunt) who relocates her family to unfortunately named Goats Woods, Conn., so her teenage son, Matt (Robert Pattinson-lookalike Kyle Gallner), can be closer to the hospital treating his cancer. Mom picks out a rambling old house that is "spacious and affordable... I'm just wondering, what's the catch?" The catch: The house was formerly a funeral home-cum-crematorium where seances were conducted by a boy medium who spit ectoplasm from his orifices like supernatural toothpaste from a squashed tube while also opening a gateway to our world for the disgruntled dead. "Based on the true story," according to the credits -- not a true story, but the true story, as if this post-Amityville boofest has been vetted for authenticity by some sort of paranormal accreditation agency.

Stage Cinema, Majestic, Collierville Towne 16, DeSoto Cinema 16, Raleigh Springs Cinema, Cordova Cinema, Paradiso, Palace Cinema, Hollywood 20 Cinema, CinePlanet 16, Southaven Cinema.

He's Just Not That Into You (PG-13, 129 min.) A romantic comedy with Memphis' own Ginnifer Goodwin in an ensemble cast that includes Jennifer Aniston and Connelly, as well as Ben Affleck and Justin Long.

Bartlett 10.

Hotel for Dogs (PG, 100 min.) Director Thor Freudenthal's Nickelodeon adaptation of a 1971 novel by Lois Duncan offers an appealing wish-fulfillment fantasy for kids, with Emma Roberts and Jake T. Austin as resourceful foster siblings who secretly transform an abandoned inner-city hotel into a luxury home for stray pooches that -- like the orphaned kids -- are unwanted because "they're not puppies any more." Young viewers will enjoy the hotel's makeshift Rube Goldberg contraptions, which include a "fetching machine," automatic poop-disposal toilets and a vending machine that dispenses shoes for chewing; parents, meanwhile, will appreciate the kindness-promoting message.

Bartlett 10.

I Love You, Man (R, 105 min.) Director John Hamburg's entertaining comic "bromance" flirts with darkness but ultimately proves as light as the escapist "chick flicks" it parodies, as husband-to-be Paul Rudd -- a guy who's had plenty of girlfriends but no close male buddies -- goes on several "man dates" to audition a potential best man for his wedding. The most likely candidate proves to be Jason Segel, as a suspiciously carefree bachelor with a yen for Rush and fish tacos. Nonessential but fun, thanks to Rudd's performance as an awkwardly un-macho hetero male whose idea of a perfect evening is snuggling with his fiancée (Rashida Jones) while watching Johnny Depp in "Chocolat."

Cordova Cinema, Paradiso.

The International (R, 122 min.) Unfortunately for us, this unpersuasive globetrotting thriller couldn't be more timely: The empire of evil here isn't the Mafia or SPECTRE but the banking industry, which is trying to make the world "slaves to debt." Clive Owen is the humorless maverick Interpol agent on the hunt for financial conspirators; Naomi Watts is the Manhattan assistant district attorney who adds little but window-dressing to the proceedings. Director Tom Tykwer (who has stumbled since his breakout German hit "Run Lola Run") stages a nice shootout in a fake Guggenheim, but more intriguing is his use of actual architecture: His characters typically are dwarfed by or lost within looming towers of cold steel and glass, which says more about the apparent hopelessness of their quest for justice than any of the machinations of the plot.

Bartlett 10.

Knowing (PG-13, 122 min.) A preposterous meld of in-your-screaming-face end-times anxiety, special-effects cataclysm and booga-booga M. Night Shenanigans, this wacked-out, quasi-religious "Donnie Darko" for dummies earns my endorsement not because it's coherent but because it's so over the top that it's engrossing, even when director Alex Proyas (the intriguing "Dark City," the rusty "I, Robot") is focusing on the emoting of Nicolas Cage rather than on an scary plane crash, a shocking subway disaster or (in what may be a movie first) a burning moose. Cage plays a widowed M.I.T. professor whose belief that life is a result of "chemical accidents" with "no grand meaning" is shaken when he discovers that a 50-year-old note contains details about five decades of disasters, including 9/11, Hurricane Katrina and several tragedies yet to come. The film exploits fears of ecological and infrastructural collapse while also providing a distressing yet reassuring parable (you know, like the Flood) for an increasingly skeptical nation.

Wolfchase Galleria Cinema 8, Majestic, Collierville Towne 16, DeSoto Cinema 16, Cordova Cinema, Paradiso, Palace Cinema, Hollywood 20 Cinema, CinePlanet 16, Southaven Cinema, Summer Quartet Drive-In.

The Last House on the Left (R, 109 min.) Unlike its grungy inspiration, director Dennis Iliadis' remake of Wes Craven's infamous 1972 shocker is shot and scored with such delicacy and technical professionalism it might as well be, say, the life story of Gandhi rather than a wallow in rape, murder and the sadistic, audience-rousing vengeance of the parents of the victims (who, true to the domestic associations of the title, dispatch the evildoers with garbage disposal and microwave oven). The varnish of "art" applied to the story's ugly content is supposed to serve as a defense against the movie's critics; instead, it's evidence of the film's redundancy and cynicism.

Wolfchase Galleria Cinema 8, Majestic, DeSoto Cinema 16, Raleigh Springs Cinema, Palace Cinema, Hollywood 20 Cinema, Summer Quartet Drive-In.

Madea Goes to Jail (PG-13, 103 min.) This time Tyler Perry's pistol-packin' grandmomma is raising hell behind bars and lobbying for her freedom.

Majestic, Palace Cinema.

Monsters vs. Aliens (PG, 94 min.) Like all DreamWorks Animation features, this colorful homage to the science-fiction B-movies of the 1950s relies overmuch on nonsequitur pop-culture jokes, worn-out comedy crutches (TV weathermen sure are vapid!) and celebrity voices; but the central "monster" and heroine, Susan (voiced by Reese Witherspoon), who's hit by a meteorite on her wedding day and grows to be a friendly update of Allison Hayes in 1958's "Attack of the 50 Foot Woman," is a character with real, um, weight. The action set pieces -- especially a battle with a giant egg-like alien robot on the Golden Gate Bridge -- are spectacular. Susan's co-stars include a Black Lagoon refugee, the Missing Link (Will Arnett); a "Fly" guy, Dr. Cockroach (Hugh Laurie); the gargantuan (and inarticulate) Insectosaurus; and -- best of all -- B.O.B. (Seth Rogen), a dimwitted blob. Directed by Rob Letterman and Conrad Vernon.

Forest Hill 8, Stage Cinema, Majestic (in 3-D), Collierville Towne 16 (in 3-D), DeSoto Cinema 16 (in 3-D), Raleigh Springs Cinema (in 3-D), Cordova Cinema (in 3-D), Paradiso (in 3-D), Palace Cinema, Hollywood 20 Cinema (in 3-D), CinePlanet 16 (in 3-D), Southaven Cinema.

Observe and Report (R, 86 min.) Writer-director Jody Hill's second feature (after the word-of-mouth cult comedy "The Foot Fist Way") has been described -- not inaccurately -- as a combination of "Paul Blart: Mall Cop" and Martin Scorsese's "Taxi Driver." The bipolar suburban rent-a-cop played here by Seth Rogen also recalls another Scorsese malcontent, Rupert Pupkin (Robert De Niro), the demented would-be stand-up jokester in "The King of Comedy." But if Hill's ambitious, aggressive and confused film reveals the telegony of movies past, it's also very much -- and this may be the most disturbing thing about it -- a child of its time. Arriving after a string of deadly mass shootings in America, this tale of a deluded, frustrated, gun-obsessed wannabe hero (imagine Barney Fife as reimagined by Jim Thompson) is a comedy with a foot on the neck of the Zeitgeist, and it's this pressure on the trachea that crushes the laughter in our throats. With Ray Liotta as a police detective and Anna Faris as a sexy but crass cosmetics clerk.

Forest Hill 8, Stage Cinema, Majestic, Collierville Towne 16, DeSoto Cinema 16, Cordova Cinema, Paradiso, Palace Cinema, Hollywood 20 Cinema, CinePlanet 16.

Paul Blart: Mall Cop (PG, 91 min.) Kevin James ("The King of Queens") is the title bumbler in this surprise box-office hit.

Wolfchase Galleria Cinema 8.

The Pink Panther 2 (PG, 92 min.) A redundant followup to an unnecessary remake, director Harald Zwart's film is nothing more than another slapstick showcase for Steve Martin's impressive yet dead-end mimicry of the late Peter Sellers, who will forever own the role of the clumsy and ridiculous French police detective, Inspector Clouseau. No movie is produced to lose money, but the new "Pink Panther" films have no apparent reason to exist except to wring more dollars from an already throttled franchise. The impressive supporting cast includes Alfred Molina, Andy Garcia, Lily Tomlin, John Cleese and Emily Mortimer.

Bartlett 10.

Push (PG-13, 112 min.) Blam-o! -- Dakota Fanning and Chris Evans have telekinetic powers.

Bartlett 10, Wolfchase Galleria Cinema 8.

Race to Witch Mountain (PG, 99 min.) Director Andy Fickman and wrestler-turned- family-friendly movie star Dwayne Johnson (no longer billing himself as "The Rock") follow their bland collaboration "The Game Plan" with a noisy, action-heavy revamp of "Escape to Witch Mountain," the well-remembered 1975 Disney film about a pair of fugitive children who prove to be paranormally gifted extraterrestrials. (Times change: In the first film, the kids were pursued by Ray Milland in a luxury car; this time, they're on the run from a Predator-like alien assassin in a flying saucer.) AnnaSophia Robb and Alexander Ludwig are fine as the space siblings, and Johnson is both cut and cute as a heroic cabbie, but this "X Files" for small fry has about as much heft as a bubble of swamp gas.

Stage Cinema, Collierville Towne 16, DeSoto Cinema 16, Palace Cinema, CinePlanet 16.

17 Again (PG-13, 102 min.) Matthew Perry wishes he could be young again and wakes up to find himself transformed into high school senior Zac Efron.

Forest Hill 8, Stage Cinema, Majestic, Collierville Towne 16, DeSoto Cinema 16, Cordova Cinema, Paradiso, Hollywood 20 Cinema, CinePlanet 16.

Slumdog Millionaire (R, 120 min.) This almost fairytale "rags to rajah" saga of an impoverished underdog "slumdog" (Dev Patel) who achieves overnight fame (and a fortune in rupees) on India's version of "Who Wants To Be a Millionaire" is the rare crowd-pleaser that earns its feel-good denouement as well as our respect. Shot on location (the train station in the film was hit in the Nov. 26 terrorist attacks), the movie's brilliantly designed visual and sonic density seems as much a mandate of the chaos endemic to teeming Mumbai as of the nonlinear, flashback-filled storytelling strategy of British director Danny Boyle, aided by Bollywood veteran Loveleen Tandan, who is credited as "Co-Director (India)." The Dickensian early sequences focusing on the hero's childhood are especially vibrant and thrilling -- alternately comic (the boys scam tourists at the Taj Mahal) and harrowing (the children are recruited by an evil Fagin figure).

Ridgeway Four.

State of Play (PG-13, 117 min.) Wisecracking reporter Russell Crowe connects the dots between mysterious deaths.

Forest Hill 8, Stage Cinema, Majestic, Collierville Towne 16, DeSoto Cinema 16, Studio on the Square, Cordova Cinema, Paradiso, Hollywood 20 Cinema, CinePlanet 16.

Sunshine Cleaning (R, 99 min.) Scrubbing splattered brains from a shower stall is a character-building bonding activity for the malfunctional Lorkowski sisters in New Zealand director Christine Jeffs' New Mexico-set film, which might clot from the pressure of too much unlikely, writerly detail if not for the elbow grease applied by its charming stars, Amy Adams and Emily Blunt. The subject matter (the sisters form a crime-and-trauma-scene cleanup company) seems ripe for dark slapstick, but the movie contains only one pratfall, when Blunt falls onto a foul mattress that she and Adams are toting to a trash bin; Megan Holley's script has some stenchy spots, too, but Blunt and Adams each emerge from this self-consciously oddball comedy-drama smelling like a rose.

Ridgeway Four, Studio on the Square.

Taken (PG-13, 91 min.) Liam Neeson makes like Charles Bronson to rescue his kidnapped 17-year-old virgin daughter from the swarthy threat of white-slaver Albanians and their Arab patrons in this morally specious but undeniably efficient brainstem-tickler from director Pierre Morel (the superior futuristic actioner "District B13") and indefatigable producer-writer Luc Besson ("The Transporter," "Unleashed"). The combination of Neeson's gravitas and Morel's coherent staging of the violence makes this the most effective action/revenge film in years.

Stage Cinema, Collierville Towne 16, Cordova Cinema, Paradiso, Hollywood 20 Cinema.

12 Rounds (PG-13, 108 min.) Wrestler John Cena is a police detective.

Majestic, Collierville Towne 16, DeSoto Cinema 16, Hollywood 20 Cinema, CinePlanet 16, Southaven Cinema, Summer Quartet Drive-In.

Two Lovers (R, 110 min.) Joaquin Phoenix (in what will be his last movie role, if he stays true to his pledge to give up acting for rapping) is bipolar Leonard Kraditor, whose scarred wrists testify to a history of depression. Leonard works in his immigrant father's dry-cleaning business and lives in his old bedroom in his parents' apartment in Brighton Beach; he seems fated to marry the beautiful daughter (Vinessa Shaw) of his dad's new business partner, but he falls for a privileged blond shiksa, played by Gwyneth Paltrow. In his fourth feature film, writer-director James Gray continues to worry his Brooklyn home turf, but for the first time he's working without the safety net of the crime genre: The violence here is emotional, self-directed -- interior. The result is earnest and convincing, and will reward the viewer who is attentive to the story and sympathetic to the characters.

Ridgeway Four.

Underworld: Rise of the Lycans (R, 93 min.) Those who know British actor Michael Sheen as David Frost (in "Frost/Nixon") and Prime Minister Tony Blair (in "The Queen") may not know he already had a movie career as hunky, hairy Lucian, the vampire-battling "lycan" (werewolf, to you) in two "Underworld" movies. Directed by promoted special effects/makeup artist Patrick Tatopoulos, this trilogy capper -- a prequel set in some unspecified "dark age" -- borrows from "Romeo and Juliet," "The Passion of the Christ" (there are two, count 'em, two gory scourging scenes) and, especially, "Spartacus," as Lucian (Michael Sheen) leads a lycan slave revolt against vampire aristocrat Viktor (a typically campy Bill Nighy), father of Lucian's secret love (Rhona Mitra, in the skintight warrior-woman leathers worn in the previous films by Kate Beckinsale).

Bartlett 10.

The Uninvited (PG-13, 87 min.) The 2003 Korean film "A Tale of Two Sisters" is a modern masterpiece of psychological horror, and perhaps the best of the many Asian "ghost girl" films. Directed by a British pair of feature newcomers who call themselves "the Guard Brothers," this less subtle DreamWorks remake is a horror update of an "evil stepmother" fairy tale, with a troubled teen (Emily Browning) returning home to her sarcastic older sister (Arielle Kebbel) and her recently widowed father (David Strathairn), who has taken up with her late mother's young nurse (Elizabeth Banks). Preteen girls looking for slumber-party DVD rentals probably represent this film's ideal audience.

Bartlett 10, Wolfchase Galleria Cinema 8.

Watchmen (R, 162 min.) The world of "Watchmen" is not for the faint of heart. Set in an alternate-history version of the 1940s to the 1980s, this is a comic book-inspired superhero movie with scenes of jailhouse dismemberment, meat-cleaver murder, "lesbian whores," the assassination of John F. Kennedy, attempted rape, a naked blue giant and -- scariest of all -- Richard Nixon, serving his fifth term as president. Slavishly faithful at times to its ambitious, celebrated source, the movie -- directed by Zack Snyder ("300") -- is worth seeing for a few showstopping sequences and some stellar performances (Jackie Earle Haley steals every scene as the psychopathic Rorschach), but it contributes nothing new to the ideas developed by author Alan Moore and illustrator Dave Gibbons in their 12-issue DC Comics series, originally published in 1986 and 1987. Comic books and movies both tell stories with pictures, but "Watchmen" demonstrates that the animating spirit of a rich, fully realized graphic novel may be as hard to transfer to the screen as that of any other type of successful literary work.

Hollywood 20 Cinema.

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