As big-city crime witnesses, Sarah Jessica Parker and Hugh Grant seek to find safety and not lose their marriage out West in ''Did You Hear About the Morgans?''Columbia Pictures
'Did You Hear About the Morgans?'

Adorable if adulterous and agnostic salad-fancying nitwit city slickers save their marriage with the help of a God-fearing, meat-eating "Sarah Palin" and her wise sheriff husband in "Did You Hear About the Morgans?," a formula romantic comedy that could be described as "Green Acres" in Red State drag, plus guns.
Highly successful Manhattan couple, Meryl and Paul Morgan, have almost-perfect lives-except for one notable failure - their dissolving marriage. But the turmoil of their romantic ...
Rating: PG-13 for some sexual references and momentary violence
Length: 103 minutes
Released: December 18, 2009 Nationwide
Cast: Sarah Jessica Parker, Hugh Grant, Sam Elliott, Mary Steenburgen, Elisabeth Moss
Director: Marc Lawrence
Writer: Marc Lawrence
Hugh Grant -- not so much an actor as a catalog of stammers, blinks, puppy-dog pouts and other Tourette-like tics -- and Sarah Jessica Parker comprise the title verging-on-divorce couple, who are whisked off to federal protective custody in Wyoming after a murdered arms dealer falls from a Manhattan balcony to their feet. Out West, the Morgans are the guests of a taciturn sheriff (Sam Elliott) and his Annie Oakley wife (Mary Steenburgen). "Oh my God, it's Sarah Palin," moans Sarah, when Steenburgen cocks her rifle. "I love what you've done with the heads," Sarah comments, entering a living room decorated with mounted pronghorn antelope trophies.
Written and directed by romcom auteur Marc Lawrence (who previously teamed Grant with Drew Barrymore in "Music and Lyrics" and Sandra Bullock in "Two Weeks Notice"), "Did You Hear About the Morgans?" wrings a few laughs from its city-folk-sure-are-comical- around-cows-and- grizzly-bears-and-rodeo-bulls situations. The only surprise is the appearance of Wilford Brimley, in his first movie role in six years; honestly, I thought he'd already headed off to that last roundup.
'La Danse: The Paris Opera Ballet'
Not rated; contains fleeting profanity.

Brigitte Lefevre, artistic director of the Paris Opera Ballet, is unconcerned that audiences may not be able to follow the storylines of some of her company's dance productions. What matters, she says in "La Danse," is this: "The final result has to be a gift to the public that they can feel."
Her comment also could apply to the work of 79-year-old documentary master Frederick Wiseman, whose fly-on-the-wall methods have served him well for more than 40 years, on films with such tell-it-like-it-is titles as "High School," "Hospital" and "Store."
Like its predecessors, Wiseman's 159-minute "La Danse" immerses audiences in its singular world without bothering to identify the people onscreen or to provide the type of helpful information presented via narration or onscreen text in most documentaries. Without these distractions of data, the film becomes a pure, almost meditative experience, as the cameras lead us into business meetings, dance practices, the dank Lon Chaneyesque cellars beneath the opera house, and even the laundry room where the ballet slippers are washed, disinfected and hung on pegs to dry. The viewer learns little about most of the dancers, not even their names, and so is freer to marvel at their poise, their dedication and their physicality: One rarely sees this type of defined musculature outside the pages of a Marvel or DC comic book.
"La Danse" is playing exclusively at Malco's Studio on the Square.



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