Go Memphis

Something exciting is happening at Joysmith Gallery. Through the end of this month, Memphians can get a look at the visceral, energized work of Angelbert Metoyer, and if he isn't a household name yet, just wait. The New Orleans-born, Houston-reared artist, whose Creole descent, sense of heritage and eclectic palette have earned comparisons with Jean-Michel Basquiat, is primed for the kind of acclaim and popularity reserved for few modern painters. Full story »

Don't overlook the side exhibit at the Dixon. Titled "Voices of a New South," the collection of two dozen pieces by four contemporary African-American artists from Memphis is as eye-popping in its own way as the main event. Full story »

Ekundayo Bandele feels that the time has finally arrived. Hattiloo Theatre, the black repertory company he founded on Marshall Avenue, is halfway through its fourth season. His team of actors and stagehands gets stronger with every show. And now, he wants his actors to get some respect. With the opening of August Wilson's "The Piano Lesson" this weekend, Bandele has started featuring actors' names on posters, in lieu of having a marquee. "They deserve it," he said. Full story »

The Memphis Symphony Orchestra's concert on Saturday night was much anticipated on several levels. The program featured the Rachmaninoff "Piano Concerto No. 2," robust, romantic and enduringly popular. Better yet was that it was performed by guest artist Kirill Gerstein, Russian-born U.S. citizen with a background in jazz. And it was the second appearance of conductor candidate Thomas Wilkins, who is in the running for the permanent position of MSO maestro and music director. Full story »